Description

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Winner of the 2023 Aldo and Jeanne Scaglione Prize for South Asian Studies

Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature, written in as well as against English. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. In The Idea of Indian Literature, she explores the paradox that a single canon can be written in multiple languages, each with their own evolving relationships to one another and to English.
 
Hindi, representing national aspirations, and Tamil, epitomizing the secessionist propensities of the region, are conventionally viewed as poles of the multilingual continuum within Indian literature. Mani shows, however, that during the twentieth century, these literatures were coconstitutive of one another and of the idea of Indian literature itself. The writers discussed here—from short-story forefathers Premchand and Pudumaippittan to women trailblazers Mannu Bhandari and R. Chudamani—imagined a pan-Indian literature based on literary, rather than linguistic, norms, even as their aims were profoundly shaped by discussions of belonging unique to regional identity. Tracing representations of gender and the uses of genre in the shifting thematic and aesthetic practices of short vernacular prose writing, the book offers a view of the Indian literary landscape as itself a field for comparative literature.

About the Author

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PREETHA MANI is an assistant professor of South Asian literatures in the Department of African, Middle Eastern, and South Asian Languages and Literatures at Rutgers University.

Praise For…

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“Indian literature is necessarily an abstract ideal. But it is also a common project that writers working in often mutually unintelligible languages share. Hindi and Tamil may stand at opposite ends of the subcontinent and animate very different literary and sociopolitical communities. Yet Hindi and Tamil writers, this wonderfully researched and theoretically astute book shows, share ideas of genre and gender, theories and practices of translation, even rhetorical and stylistic choices. Indian literature is comparative literature, and Preetha Mani’s brilliant book shows us just how. A must read for anyone interested in how national literature works in a multilingual nation.” —Francesca Orsini, author of The Hindi Public Sphere 1920–1940: Language and Literature in the Age of Nationalism