Description

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A photographic account of an extended solo performance in irradiated Fukushima between 2014 and 2019

On March 11, 2011 one of the most powerful earthquakes in recorded history devastated Japan, triggering a massive tsunami and nuclear meltdowns at three reactors in the Fukushima Daiichi Nuclear Power Plant complex in a triple disaster known as 3.11. On five separate journeys, Japanese-born performer and dancer Eiko Otake and historian and photographer William Johnston visited multiple locations across Fukushima, creating 200 transformative color photographs that document the irradiated landscape, accentuated by Eiko's poses depicting both the sorrow and dignity of the land. The book also includes essays and commentary reflecting on art, disaster, and grief.

From the Preface
THIS IS A BOOK OF FUKUSHIMA. THIS IS A BOOK OF WAILING AND UPSET, inhabiting time after March 11, 2011 and imagining time before then. This is a book of the irradiated landscape of Fukushima. This is a book of violence, and of disasters, fast and slow. This is a book of people, mountains, fields and the sea. This book is A Body in Fukushima: the body of a performer--an immigrant artist from Japan, and the body of a historian who is also a photographer, and the body of the land itself.

We traveled together to Fukushima five times between 2014 and 2019. Eiko performed in the disrupted landscapes. Bill photographed the performances. Together we selected the photographs and writings for this book, and Bill wrote the captions. The year 2021 marks the tenth anniversary of the Fukushima nuclear disaster. The Timeline in the book extends to include a deeper history that is part of this tragedy and this place. And Places Visited shows the coastline where we performed and photographed. We hope that these images allow you to enter Fukushima, to feel and smell it. --EO & WJ

About the Author

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Born and raised in Japan and now a longtime New Yorker, EIKO OTAKE is a movement-based interdisciplinary artist. WILLIAM JOHNSTON grew up in Wyoming where he developed an interest in Japanese culture and Zen Buddhism; he is a photographer and historian at Wesleyan University.