Description

Literary Nonfiction. Drama. African & African American Studies. LGBTQIA Studies. Middle Eastern Studies. Performance Studies. Women's Studies. Is it possible--is it even ethical?--to make hopeful art in an unjust and chaotic world? In the tradition of artist-essayists such as James Baldwin, Anne Lamott, and Adrienne Rich, Sandberg-Zakian looks to her own socially-engaged theater-making practice alongside a diverse array of cultural influences (from slave narratives to popular musicals, Batman to This American Life), considering how we might reconcile our desire for hope and possibility, connection and transformation, with the necessity of navigating darkness, despair, hate and violence. The artistic coming-of-age journey of a contemporary theater artist in ten essays, THERE MUST BE HAPPY ENDINGS: ON A THEATER OF OPTIMISM & HONESTY is a smart, engaging and gently humorous contribution to the discussion of how we face art-making--and living--with hope and optimism, and an elegant, accessible, and satisfying companion to practical work in the world.